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Space travel in the eighteenth century meant making creative use of whirlwinds, or hitching rides on comets and sunbeams – modes of transportation familiar to Romantic audiences from McDermot's A Trip to the Moon (1728) and Voltaire's Micromégas (1752), respectively. Last saturday (26 November 2011), NASA launched its six-wheeled, nuclear-powered rover vehicle, Curiosity, on a mission it hopes will finally settle the question of whether life ever existed on Mars (or might, indeed, still be there). If successful, the $2.5bn experiment will represent one of modern science's crowning achievements. In one sense, though, any triumph will also be a Romantic triumph, since the question itself about life on Mars derives a not insignificant part of its fund-raising charge from its importance in the Romantic age. What's more, while the transuraniam element plutonium driving Curiosity's engines was unknown to the Romantics (it wouldn't be discovered until the 1940s), the science that will help Curiosity on its way to Mars's rocky surface owes much to painstaking observations and calculations made by Romantic astronomers, chief among them William Herschel.

The Romantic public would certainly have recognized our obsession with the red planet; Mars had long been a source of deep fascination. In 1659, Huygens had sketched his pioneering map of Mars, recording a dark "spot" – the first recorded Martian geological feature – that became known as the "Hourglass Sea". His map was refined in 1666 by Cassini's observations of ice caps at the Martian poles. Meticulous work conducted by Herschel in 1781-84 refined previous calculations of Mars's sidereal rotation, as well as determining the tilt of the planet's axis. However, it was the Astronomer Royal's conclusion that Mars possessed a "considerable, but moderate atmosphere" that may have done most to fire the public's imagination. (This atmosphere, he suggested, accounted for the "ruddy troubled light" in which Mars appeared in the night sky.) "The analogy between Mars and Earth", Herschel argued in a passage from The Philosophical Transactions (1783), often reprinted in the Romantic period, "is, perhaps, by far, the greatest in the whole solar system".

As Richard Holmes points out in The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science (2009), Herschel, FRS, was a firm believer (along with Huygens) in extraterrestrial life. The Royal Society's imprimatur no doubt contributed to inspiring wider public receptiveness to the idea of life on other planets. When Encyclopaedia Perthensis asserted in 1816 that, with an atmosphere, as well as earth-like days and seasons, it was "highly probable" that Mars had its "animal inhabitants as well as our earth" (p. 614), it was stating a view that had long become commonplace.

The Romantics, then, were at home, as it were, with the idea that other planets in the solar system were populated. Indeed, it's instructive to consider that the notion of alien lifeforms is more likely to trouble religious sensibilities in our own age than it was in the early nineteenth century. As an 1827 contributor to the New Jerusalem Magazine enthused: "That [the moon] is inhabited by sensitive and intelligent beings, there is every reason to conclude, from a consideration of the sublime scenery with which its surface is adorned, and of the general beneficence of the Creator, who appears to have left no large portion of his material creation without animated existences" (p. 175). By the end of the Romantic period, astronomers routinely performed grand imaginative voltes on traditional planetary perspectives in which life on Mars could be taken for granted. As the American John Lee Comstock wrote in A System of Natural Philosophy (1830-31), intended for use in schools and academies: "To the inhabitants of Mars, our planet appears alternately as the morning and evening star, as Venus does to us" (p. 215).

It was left to "Sylvanus Urban" of The Gentleman's Magazine, reviewing William Colquitt's Essays on Geology and Astronomy in 1826, to present a more cautious view with respect to the probability of life on Mars, a view that chimes more closely, perhaps, with the current modern consensus – which, of course, Curiosity may be about to overturn: "The surface of this planet is divided into plains and mountains of strange figures, issuing volcanic fire. Apparently it is not yet formed into an inhabited world, but is what our Earth once was".

My own institution, Aberystwyth University, is currently involved in designing a Mars planetary rover as part of an European initiative planned for 2018 (ESA Aurora exploratory programme). You can see Dave Barnes of the Computer Science department testing the machine's locomotion at a local beach here. For the moment, though, the focus is on NASA's effort. As Curiosity prepares to take the Romantic project out to vexing Mars – into its dusty canyons, where the 4x4-sized vehicle will move with slow, deliberate speed beneath the high, wispy Martian clouds – let's remember those Romantic pioneers and popularizers of science.

 


Comments

Jayne Archer
29/11/2011 20:35

Thanks ever so much for this glorious post. I'd like to stick up for the Renaissance women in helping contribute to this Romantic project. Sophie (Sophia) Brahe (1556-1643), together with her brother Tycho Brahe, made the observations of Mars which Kepler used as the basis for his laws of planetary motion. Sophie was a true polymath, and she goes some way to showing that yes, some women did have a Renaissance. Unlike Tycho, though, she doesn't have a Martian crater named after her. One thing about astronomy that has always haunted me is the fashion for building observatories underground – with the telescope lens pointing out of the ground – as well as high up. Sensibly, Sophie and Tycho reserved the basement of their castle at Uranibourg for alchemical experiments, but Fynes Moryson recalls tripping over some subterranean observatories in gardens in Italy at the turn of the seventeenth century. I'd like to think that it's some strange expression of the macrocosm/microcosm analogy (as above, so below) or perhaps because precious stones, like stars, are called 'constellations'. But there's probably some very straightforward and practical reason. Richard - did the fashion for underground observatories continue into the Romantic period?

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